Joell Ortiz is a Puerto Rican rapper who specializes in freestyle. I am not truly a big fan of freestyling, but I do respect the art of improvising hip hop lyrics. And, maybe I’m biased, but I have listened to a number of Joell Ortiz’s music and I can safely say that he is a master of his craft. Perhaps the eye candy of such a husky and stocky Latino is clouding my vision? Well, you guys decide for yourself. Here are a couple of music videos from Mr. Ortiz. (Check out his blog, which is written by other bloggers and Mr. Ortiz himself — just read the “Tags”… We’re using the same WordPress template. Word up.)
This one is my favorite. It’s titled, Good Times.
Here are some photos (courtesy of Natty Photography) from the making of Memories…
You’ll notice that Joell likes to wear a wifebeater a lot. Here is a NSFW interview of him just wearing a black tanktop. Gadzooks! This Brooklyn Bullgoon definitely has thick arms and a massive chest.
Currently, Joell Ortiz is part of a hip-hop supergroup called Slaughterhouse… Joell reminds me of Yankees pitcher, C.C. Sabathia, in this album cover.
This first song that they have released is very radio-friendly, in my opinion (even with the explicit lyrics). I expected their songs to be a bit more hardcore, but maybe this is that introduction song to draw audiences in. In fact, Joell’s lyrics are a bit “subdued,” for lack of a better word. Still, he knows how to flow with his rhymes and, as a bonus, he’s wearing a wifebeater on a couple of scenes…
What is it with rap and blood? Check out Spain’s Panzers’ album cover…
Ah, Ray Winstone (and, yup, still my “Number One Bear”). I’ve been following the news of him playing the role of poet William Blake since 2004. It appears that he won’t be starring in it (if it ever gets produced) as he stated, “I’m getting a bit old to play it now.”
What a shame. I’ve been eagerly checking out that news, since William Blake’s works were forcefully fed to me by my woofy college professor. If it wasn’t for my professor, I would have discounted Blake’s works (I originally found them to be simple and devoid of meaning). Perhaps my views changed because my woofy professor loved Blake? I’m not sure. What I do know is that he made me realize that one of Blake’s works was a masterpiece: “Songs of Innocence and Experience.”
And for some reason, when I was reading Bearotic‘s post about the twisted, demented, and very sick online comic strip, The Other Family (a completely whacked out version of Bill Keane’s Family Circus), I can’t help but think of William Blake’s “Songs of Innocence and Experience.”
I’ve divided the comic strips into three parts. So if there’s anybody out there who’s doing a report on William Blake’s “Songs of Innocence and Experience,” just read through these modern comics and you’ll get the main gist of Blake’s ideas…
The Birth Of Innocence and Ignorance
The Death Of Innocence and Birth Of Experience
Songs Of Innocence and Experience
Yes, in spite of and because of the comic strip’s absurdity, it actually perfectly portrays the juxtaposition of the innocent, pastoral world of childhood against an adult world of corruption and repression (thank you, Spark Notes!). I wish this comic strip was around back then so that I could have gotten an A+. ^_^